
The C.M.C. Jobber
c. 1936-1955
The
C.M.C. Jobber is a late example of a platen press,
often referred to as a jobber press. Such presses gained
their name due to the fact that they were used by printers
for short run ‘job’ work,
ranging from posters, notices, bills, cards, stationary,
tickets, newsletters and the like, usually anything under
one page and in contrast to print runs of multiple pages.
Powered by a foot-action treadle, the platen press allowed
for swifter printing than traditional hand presses.
The platen press was first developed
by Stephen P. Ruggles of Boston in the 1840s, and later
by George P. Gordon
in the 1850s, whose ‘Gordon Franklin’ proved
to be amongst the most popular platen presses of the
century. When the patents of these early platen presses
expired, the market was flooded by numerous models, either
copying or improving the early developments achieved
by Ruggles and Gordon. It has been estimated that 143
different treadle-driven platen presses were manufactured
between 1840 and 1940 in the United States.
The design of the C.M.C. Jobber was derived
from an earlier and more popular small floor model
platen-press – the
Pearl. William Golding, of Golding and Company, (Boston,
Massachusetts) introduced the Pearl in 1869, and the “improved
Pearl” in 1895. In 1936 the Craftsmen Machinery
Company acquired the patterns for the 7×11 Improved
Pearl and offered their version of the press as the C.M.C.
Jobber until around 1955. The Craftsmen Machinery Company
is still in existence, based in Millis, Massachusetts,
and continues to produce a variety of machinery, including
lithography and printing equipment.
Maravelas, Paul. Letterpress
Printing: A manual for modern fine press printers. Oak Knoll
Press, New Castle: 2005.
Moran, James. Printing Presses:
History and Development from the Fifteenth Century to
Modern Times. Faber and Faber, London: 1973. Rummonds,
Richard-Gabriel. Nineteenth-century
Printing Practices and the Iron Handpress.
Oak Knoll Press, New Castle: 2004.
This webpage
was researched and produced by
Ruth-Ellen
St. Onge. |