The Living
The Living
techngenocide
TechGenocide

A series of lectures on the current state of and challenges faced by Ukrainian cinema as it tries to shake off the crippling legacy of the Soviet past and to adapt to the fast-moving reality of a post-Soviet Ukraine. Each presentation will be followed by screening of films representing a wide range of contemporary Ukrainian directors, genres and subjects. The events are FREE and open to the public.

Lecture Sixteen:
Taras Bulba 2009

Screening and panel discussion of TARAS BULBA, 2009, director Vladimir Bortko, Russian Federation. Vladimir Bortko made this film inspired by the famous Nikolai Gogol story about love, betrayal, and revenge. Released in Ukraine last April and widely distributed there, this film provoked a small storm among the Ukrainian public by its unapologetic neo-colonialist politics and ideology. It is an interesting document of post-Soviet Russian revanchism made fascinating by an enthusiastic participation of Ukrainian talent in the project, including the actors Bohdan Stupka, Ada Rohovtseva, Les Serdiuk, the artist Serhiy Yakutovych, to name but a few. Notes Russian reviewer Roman Volobuev, “Bortko, known for his pedantic treatment of literary texts, in this case, chopped Gogol up into a salad and made use of only those its pieces that will insult the greatest number of inhabitants of sovereign Ukraine.” Insult or not, but the film reveals quite a lot about present-day Russia and Ukraine.

The film is in its original Russian language version with English subtitles. Free and open to the public.

Panel: Taras Koznarsky (Department of Slavic Literatures and Languages, UofT), Leo Livak (Department of Slavic Literatures and Languages, UofT), Piotr Wrobel (Chair of Polish History, UofT) and Yuri Shevchuk (Columbia University), will discuss the film after the screening.

Time:
Thursday, February 11, 7:00 p.m.
Location:
Innis Town Hall, Innis College, University of Toronto, 2 Sussex Ave
(For directions to the theatre please click here.)

The screening is co-sponsored by the Canadian Foundation for Ukrainian Studies.

Lecture Seventeen:

The series will screen and discuss the new feature narrative film “Birds of Paradise” 2008, by Roman Balayan.

Time:
Friday, February 12, 6:00 p.m.-8:00 p.m.
Location:
Room 108, North Building, Munk Centre for International Studies (1Devonshire Place)

The series will screen and discuss the new feature narrative film “Birds of Paradise” 2008, by Roman Balayan. Born in Nagorny Karabakh and educated in Kyiv, Balayan considers himself a student of legendary Serhiy Paradzhanov. However unlike his teacher, Balayan has avoided references to Ukraine in his films and used it instead as a geographical location rather than a cultural destination in his stories. His films represent an influential trend in the culture of a post-Soviet Ukraine deeply rooted in the imperial Russian mentality which denies Ukrainians a voice of their own. “Birds of Paradise” is about a Soviet writer in Kyiv in the early 1980s who challenges the regime in his quest for personal freedom. People can openly voice their thoughts only in private kitchens behind curtained windows. The KGB tapped phones, surveyed the ‘unreliable’ and consistently destroyed all forms of decent. The protagonists challenge the inhumane regime, risk their lives and prove that nobody can stop a person striving for freedom. Roman Balayan explains, “It is important for me to make a picture that confronts and pushes the viewer to face their own feelings and thoughts. It is important that even the most thick-skinned person feel what it means to have no freedom … so that the times when people could not speak the truth stay for ever in the past.” The film is one of the last roles played by celebrated Russianactor Oleg Yankovsky.

The film is in its original Russian/Ukrainian language version with English subtitles. Free and open to the public.

The screening is co-sponsored by the Canadian Foundation for Ukrainian Studies.