About Us
Innis Library and Computer Lab provides facilities, resources and services in support of College courses and programs, as well as to the University community as a whole. The Library's independently administered collections operate within the University of Toronto Library System and are available to the entire Universiity of Toronto community, though the vast majority of its users are associated with the College.
Innis Library's holdings are included in the University of Toronto Library's online catalogue (UTCat). At present these consist of approximately 5,000 items, composed of monographs and serials, both print and online. While the majority of the material in the collection supports students and faculty of the Cinema Studies Institute, the Library's resources and services support all Innis College programs - Urban Studies, Writing & Rhetoric, and Cinema Studies.
NEW STUDENTS - Tcard info
Selected recent acquisitions - Cinema Studies
- Arslan, Savas. Cinema in Turkey: a new critical history.
- The Chinese cinema book. Edited by Song Hwee Lim and Julian Ward.
- Davis, Glyn. Far from heaven.
- Dixon, Bryony. 100 silent films .
- Earle, William. Surrealism in film: beyond the realist sensibility.
- Eisenschitz, Bernard. Nicholas Ray: an American journey.
- Ekstrom, Anders. History of participatory media: politics and publics, 1750-2000.
- Evans, Elizabeth. Transmedia television: audiences, new media, and daily life.
- Geiger, Jeffrey. American documentary film: projecting the nation.
- Gow, Christopher. From Iran to Hollywood and some places in-between: reframing post-revolutionary Iranian cinema.
- Grant, Barry Keith. Shadows of doubt: negotiations of masculinity in American genre films.
- Hillier, Jim and Douglas Pye. 100 film musicals.
- Iordanova, Dina and Cheung, Ruby. Film festivals and East Asia.
- Jacobs, Steven. Framing pictures: film and the visual arts.
- Means Coleman, Robin R. Horror noire: Blacks in American horror films from the 1890s to present.
- Newman, Kim. Nightmare movies: horror on screen since the 1960s.
- Pick, Anat. Creaturely poetics: animality and vulnerability in literature and film.
- Railton, Diane and Paul Watson. Music video and the politics of representation.
- Rommel-Ruiz, W. Bryan. American history goes to the movies: Hollywood and the American experience.
- Standish, Isolde. Politics, porn and protest: Japanese avant-garde cinema in the 1960s and 1970s.
- Stanfield, Peter. Maximum movies pulp fictions: film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson.
- Tcheuyap, Alexie. Postnationalist African cinemas.