Innis Library

ONLINE FILM JOURNALS

SEE ALSO: Online Film and Media Studies Journals (FSFF)

Note: The articles in the journals immediately below are available in their entirety. Access is restricted to use by members of the University of Toronto community. Many of these journals are also available in print within the UofT Library system; for library holdings (incl. earlier volumes of these titles) search in UTCat. For additional publicly accessible/open access film journals, click here.

Adaptation v. 1:1(2008)+
Afterall Journal no. 0(Spring/Summer 1999)+
Afterimage v. 22:1(Summer 1994)+
American Cinematographer v. 79(May 1998)+
American Film v. 1:1(Oct. 1975)-17:1(Jan 1992)
Animation: an interdisciplinary journal v. 1:1(2006)+
Asian Cinema 23:1(2012)+. Back issue vols. 6-22 in print at Innis Library
Australian Screen Education no. 29(Dec. 2002)-42(Sept. 2006) ONLY
Bioscope: South Asian screen studies v. 1:1(January 2010)+
Black Camera (New Series) v. 1:1(2009)+ NOTE: Full text of back issues (old series) v. 1, no. 1(Summer 1985)-22/23(Spring 2008) available via JSTOR
Camera Obscura v. 1:1(1976)+
Canadian Journal of Film Studies v. 12:1(2003)+
Celebrity Studies v. 1:1(2010)+
Cineaction no. 36 (1995)+
Cineaste v. 17:3(Fall 1990)+
Cinema Journal v. 1(1961)+. SEE ALSO: Journal of the Society of Cinematologists below
Continuum: journal of media and cultural studies v. 1:1(1988)+
Convergence: The International Journal of Research into New Media Technologies v. 1:1(March 1995)+
Critical Arts v. 1:1(1980)+
Critical Inquiry v. 1:1(1974)+
Critical Studies in Media Communication v. 1:1(1984)+
Cultural Studies v. 1:1(1987)+
diacritics v. 1:1(1971)+
differences v. 4:3(Sept. 22 [Fall] 1992)+
Discourse: journal for theoretical studies in media and culture v. 1(Fall 1979)+. Note: v. 3 & 4, and issues 14:2 & 15:2 are unavailable online. Note: No. 1(Fall 1979)-2; v. 5(1983)-26(2004) available in print at Innis Library.
Early Popular Visual Culture v. 3:1(2005)+
Entertainment Weekly no. 100(Jan 1992)+
Feminist Media Studies v. 1:1(2001)+
Film & History: an interdisciplinary journal of film and television studiesv. 1:1(1971)-25:2(1995); 33:1(2003)+. Note: v. 27:1(1997)-36:2(2006) available in print at Innis Library. Ask staff for assistance.
Film Comment v. 7:1(1971)+
Film Criticism v. 19(Winter 1994/95)+
Film History: An International Journal v. 1(1987)+
Film International v. 4:2(2006)+
Film Journal International v. 104:8 (August 2001)+
Film Quarterly (Continues: Quarterly of Film, Radio, and Television below). v. 12(1958)+
Film Studies Archive (Manchester U. Pr.) no. 4(Summer 2004)-11(Winter 2007). Note: All earlier issues available in print at Innis Library.
Films in review v. 46:5-6(July 1995)-48:1-2(Jan/Feb 1997) only.
Framework: the journal of cinema and media v. 1(1975)-38/39(1992); 42(2000); and 43:1(2002)+ available online. 1993-1999 incl. and 2001 not available online. Note: Complete table of contents v. 1(1974)+
GLQ: a journal of lesbian and gay studies v.1:1(1993)+
Gothic Studies v. 1:1(1999)+
Historical journal of film, radio and television v. 1:1(1981)+
Hollywood Quarterly v. 1-5(1945-51) (Continued by: Quarterly of Film, Radio, and Television below).
Hollywood Reporter April 22, 1992+
Horror Studies v. 1:1(2010)+
Inter-Asia Cultural Studies v. 1:1(2000)+
Journal of Aesthetics and Art Criticism v. 1:1(1941)+
Journal of African Cinemas v. 1:1(2009)+
Journal of African Cultural Studies v. 11:1(1998)+ (Continues African Languages and Cultures, 1988-1997)
Journal of British Cinema and Television v. 1:1(2004)+
Journal of Chinese Cinemas v. 1:1(2007)+
Journal of Contemporary European Studies v. 1:1(1980)+
Journal of film and video v. 36:1(Winter 1984)+. Preceded by Journal of the University Film and Video Association v. 34 and 35(1982-83); which continues the Journal of the University Film Asociation v. 20-33(1968-1981); which continues the Journal of the University Film Producers Association v. 1-19(1949-1967).
Journal of International and Intercultural Communication v. 1:1(2008)+
Journal of Italian Cinema and Media Studies v. 1:1(2011)+
Journal of Media Practice v. 6:1(2005)+
Journal of Popular Culture v. 1:1(Summer 1967)+
Journal of Popular Film and Television v. 1:1(1972)+
Journal of the Moving Image (JMI) (Department of Film Studies, Jadavpur University) seeks to represent critical work on the state of contemporary screen cultures ... [and] to address a broad set of issues ranging from formal properties of the moving image to the social foundation of its production, transmission and reception. There will be a special focus on India and South Asia, and on issues of transnational media transactions, but we would like to offer a wider range of discussion on film and television from various parts of the world made from different perspectives.
Journal of the Society of Cinematologists v. 1(1961)-4/5(1964/1965). Note: Continued by Cinema Journal above.
Journal of Visual Culture v. 1:1(2002)+
Literature/Film Quarterly v. 1:1(1973)+
Mechademia v. 1:1(2006)+
Millennium Film Journal no. 39/40(Winter 2003)+. Note: no. 1(1977)+ (print version) available at Innis Library.
Modern and Contemporary France v. 1:1(1993)+
Monthly Film Bulletin v. 1[1/12](1934-35) - 58[687] (April 1991) ONLY.
The Moving Image: the journal of the Association of Moving Image Archivists v. 3:1(Spring 2003)+. Note: Vols. 1 & 2 are available, in print, at Innis Library.
Moving Image Review and Art Journal (MIRAJ) 1:1(2012)+
Music, Sound and the Moving Image v. 1:1(2007)+
New Cinemas: journal of contemporary film v. 1:1(2002/03)+
New Review of Film and Television Studies v. 1:1(2003)+
(Historical) New York Times 1851+ (3 year embargo). offers full page and article images with searchable full text back to the first issue. The collection includes digital reproductions providing access to every page from every available issue.
Nineteenth Century Theatre and Film v. 1:1(1973)+
Northern Lights v. 5:1(2007)+ Northern Lights: Film and Media Studies Yearbook.
October no. 1(Spring 1976)+
Paragraph: a journal of modern critical theory v. 20:1(1997)+
positions: east asia cultures critique v. 1:1(Spring 1993)+
Post script v. 21:2(2002)+
Postmodern Culture v. 1:1(1990)+ Founded in 1990 as an experiment in scholarly publishing on the Internet, Postmodern Culture has become the leading electronic journal of interdisciplinary thought on contemporary cultures, publishing the work of such noted authors and critics as Kathy Acker, Charles Bernstein, Bruce Robbins, bell hooks, and Susan Howe. PMC combines high scholarly standards with broad appeal for non-academic readers. As an entirely web-based journal, PMC can publish still images, sound, animation, and full-motion video as well as text.
Projections: the Journal for Movies and Mind v. 1:1(summer 2007)+ is an interdisciplinary, peer-reviewed journal that explores the ways in which recent advancements in fields such as psychoanalysis, cognitive psychology, neuroscience, genetics and evolution help to increase our understanding of film, and how film itself facilitates investigations into the nature and function of the mind. The journal incorporates articles on the visual arts and new technologies related to film.
Quarterly Review of Film and Video v. 11:1(1989)+ Preceded by Quarterly Review of Film Studies v. 1:1(1976)-10:4(1985). Ceased publication 1986-1988.
The Quarterly of Film, Radio, and Television v. 6-11(1951-57) Continues: Hollywood Quarterly v. 1-5(1945-51) above. Continued by: Film Quarterly v. 12:1(1958)+ above
Science Fiction Film and Television v. 1:1(2008)+
Screen (U.K.) v. 10:1(Jan/Feb 1969)+
Sight and Sound v. 1:1(1932)+ Note: 2-3 week delay for FT of latest issue.
Social Semiotics v. 1:1(1991)+
Social Text no. 1(1979)+
South Asian Popular Culture v. 1:1(2003)+
South Atlantic Quarterly v. 96:3(Summer 1997)+
Studies in Australasian Cinema v. 1:1(2007)+
Studies in Documentary Film v. 1:1(2007)+
Studies in Eastern European Cinema v. 1:1(2010)+
Studies in European Cinema v. 1:1(2004)+
Studies in French Cinema v. 1:1(2001)+
Studies in Hispanic Cinemas v. 1:1(2004)+
Studies in Russian and Soviet Cinema v. 1:1(2007)+
Studies in South Asian Film & Media v. 1:1(2009)+
SubStance v. 1(1971)+
Take 1 (Take One) v. 5:13(Autumn 1996)-14(Issue 52/Mar 2006) ONLY.

Note

Technology and culture: the international quarterly of the Society for the History of Technology v. 1:1(1959)+
Theatre History Studies June 2001+
Third Text v. 1:1(1987)+
Transition no. 1(1961)+
Transnational Cinemas v. 1:1(2010)+
Variety Weekly (July 19, 1993)+ NOTE: Available in its entirety (1905+) only on microfilm at Media Commons, 3rd floor, Robarts. SEE ALSO: Daily VarietyApril, 27, 1992+
Velvet Light Trap no. 1(June 1971)+ . Publisher's website (University of Texas Press).
Village Voice v. 36:27 (July 2, 1991)+
Visual Anthropology v. 1:1(1987)+
Visual Studies v. 17:1(2002)+ . Preceded by Visual Sociology (1986-2001).
Wide Angle v. 18:1(1996)-21:4(1999) only. Note: v. 10:1-17:4 available in print at Innis Library
Yale French Studies v. 1:1(1948)+

The journals below are publicly accessible/open access:

Alphaville: Journal of Film and Screen media (University College, Cork, Ireland) offers a dynamic international forum open to the discussion of all aspects of film history, theory and criticism through multiple research methodologies and perspectives. Alphaville aims to cultivate inspiring, cutting-edge research, and particularly welcomes work produced by early career researchers in Film and Screen Media. We seek work that engages with current debates and we especially invite contributions that display a clear engagement with methodological issues.
Animation Studies v.1(2006)+ Animation Studies is the Society for Animation Studies’ peer-reviewed online journal. It publishes the society’s conference proceedings and is open to submissions from SAS members.
Bright Lights Film Journal no.16(April 1996)+
Cineaste Limited access to material from the subscribed print/online version.
Cinema Canada Cinema Canada was the trade journal of record for the Canadian film and television industry from its launch in 1972 by the Canadian Society of Cinematographers until its final issue in 1983. The journal was published bi-monthly and issues came out on the 29th day of January, March, May, July, September, and November. Topics included Canadian Film News, Features on Film Festivals, Technical News, Regional News, and Interviews with people involved with filmmaking.
CINEMA: Journal of Philosophy and the Moving Image (Instituto de Filosofia da Linguagem, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Portugal) no. 1 (2010)+ is an international peer-reviewed publication dedicated to the philosophical inquiry, not just into film, but into cinema in the broadest sense, that is, including video, television, and new media.
Cinema Scope (Toronto) Limited online access from Summer 2009+
Cinemascope-Independent Film Journal (Italy) v. 1(Winter 2005)+
Cinephile: The University of British Columbia's Film Journal v. 1(April 2005)+ Cinephile is a peer-reviewed journal edited by graduate students in the Film Studies program at the University of British Columbia.
Cine-tracts (or Cinetracts): A Journal of Film, Communication, Culture and Politics (subtitle also varies). v. 1(1977)-17(1982). Ciné-Tracts was founded in 1977 and edited by Ron Burnett until it ceased publication in late 1982. During that time, the journal published seventeen issues (1,247 pages). Ciné-Tracts helped to solidify the growing Film/Cultural Studies area by working from an interdisciplinary orientation. A variety of people worked for the Journal and contributed to it. These include, Martin Walsh, Teresa de Lauretis, Stephen Heath, Raymond Williams, John Berger, Hart Cohen, Peter Harcourt, Zuzana Pick, Martha Burnett, Saul Landau, Bruce Elder, Peter Ohlin, Patricia Mellencamp and David Bordwell. Ciné-Tracts had over two thousand subscribers and Indiana University Press published a selection of essays from the journal in 1991, under the title, Explorations in Film Theory (available at Innis Library).
Continuum vol. 1:1(1987)-8:2(1994) (with the exception of 8:1, which contains table of contents only.) SEE ALSO: same title in section above for all back issues. (Access to UofT community only).
Criticine no. 1(2005)+ (on Southeast Asian cinema).
Crossings: electronic journal of art and technology issue 1:1(2001)+ Crossings is a peer-reviewed multidisciplinary academic journal that aims to explore the areas where technology and art intersect. (Trinity College, Dublin).
davekehr.com: reports from the lost continent of cinephilia
David Bordwell's website on cinema
Electric Sheep is the online magazine for lovers of offbeat, left-field and cult cinema. It celebrates the celluloid dreams of the most outlandish, provocative and visionary directors, the marginal and the transgressive, the poetic and the subversive.
EnterText (Brunel University, London) v. 1:1(Winter 2000)+ EnterText's mission is to use the technological revolution to open up serious and creative engagement with cultural, social and historical issues in ways not hitherto possible. In particular the e-journal partners the texts it publishes with forums for reader-response and ongoing discussion: readers are invited to enter their own text..
European Cinema Journal no. 1(1999)+ Includes Cinema Research Library (articles in English and Italian).
Experimental Conversations (Cork Film Centre)
Film Comment (Film Society of Lincoln Center)
Film Culture magazine Selections only. (UbuWeb in partnership with Anthology Film Archives) SEE ALSO: Film Culture in UTCat; incomplete holdings.
Film#Magazine A publication of The Danish Film Institute.
Film Music Society Newsletter The Film Music Society is a non-profit organization established by professionals in the film and music communities. The FMS promotes the preservation of film and television music in all of its manifestations, including published and unpublished scores, orchestrations, recordings and all related materials. It is the leading organization for film and television music preservation in the world, with members in eighteen countries.
Film-Philosophy v. 1(1997)+ is an international academic journal dedicated to philosophically reviewing film studies, aesthetics and world cinema.
Film Studies For Free (Catherine Grant, U. of Sussex) A pluralist, pro bono, and purely positive web-archive of examples of, links to, and comment on, online, Open Access, film and moving image studies resources of note. Film Studies For Free actively espouses the ethos of Open Access to digital scholarly material. It aims to promote good quality, online, film and moving-image studies resources by commenting on them, and by linking to them. These resources include freely-accessible, published scholarship or research in various forms: from film and media weblogs, through online peer-reviewed journals and film/video archives, to other forms of web-based scholarly writing, as well as online works of film/moving-image research by practice.
Films and Festivals (UK) (Free subscription)
filmwaves + art in-sight (UK) no. 1(August 1997)+
Frames Issue no. 1(July 2012)+ " ... a forum for the examination of relatively underexplored and emergent topics in film studies."
Genders: presenting innovative work in the arts, humanities, and social theories no. 27(1998)+ FT. Electronic publication of this journal began in 1998 with issue 27. Issues 1-26 (1988-1997) were published in hard copy.
German Films Quarterly March 1997+ (German Films Service + Marketing GmbH) is the national information and advisory center for the promotion of German films worldwide.
girish
Illusions: New Zealand Moving Image and Performing Arts Criticism no. 1(Summer 1986)+
Image & Narrative no. 1(July-Novmber 2000)+ is a peer-reviewed e-journal on visual narratology in the broadest sense of the term. Beside tackling theoretical issues, it is a platform for reviews of real life examples.
Images: a journal of film and popular culture no. 1(August 1996)+ is a non-commercial Web site created for everyone who enjoys movies and popular culture. Images is published quarterly; however, new reviews will appear each week...
IndieWIRE
Intensities: The Journal of Cult Media Intensities is an online journal first launched at Cardiff University in 2001 under the editorship of Matt Hills and Sara Gwenllian Jones. It later moved to Brunel University, where it was edited by David Lavery, and is currently edited (still at Brunel) by Leon Hunt. Intensities will publish two issues a year. The journal addresses all aspects of cult media including cult television, cult film, cult radio, cult comics, literary cults and cult authors, new media cults, cult figures and celebrities, cult icons, musical cults, cult geographies, historical studies of media cults and their fandoms, cult genres (e.g. science fiction, horror, fantasy, pulp fiction, Manga, anime, Hong Kong film etc.), non-generic modes of cultishness, theorisations of cult media, relevant audience and readership studies, and work that addresses the cult media industry. In addition to publishing refereed essays (of between 6000 and 8000 words), Intensities also features a non-refereed Cult Media Review section which will carry shorter speculative reviews, reviews of cult phenomena (e.g. cult TV series, cult films, cult novels, science fiction, comics), short critical essays, interview transcripts, conference and convention reviews and articles about aspects of industry, fan culture, production and authorship.
Intermédialités: histoire et théorie des arts, des lettres et des techniques / Intermediality: History and Theory of the Arts, Literature and Technologies has published, in French and English, articles grouped around a single verb/topic/issue, encompassing a variety of objects, mediums, and conceptual themes. The journal differs from other multidisciplinary journals in its theoretical and historical perspective, which allows it to reflect on the relationships that govern techniques and institutions, intellectual products and media forms, without limiting itself to the study of contemporary media or confining itself to a particular school. It covers a wide range of disciplines including media studies, film and literature, history of art, anthropology, sociology, and philosophy. As a showcase for “intermedial” artistic practices, the journal features a guest artist for each of its issues.
Intersections: Gender and Sexuality in Asia and the Pacific (Australian National University) no. 1(September 1998)+ (Former subtitle: Gender, History and Culture in the Asian Context).
Invisible Culture: An Electronic Journal for Visual Culture (U. of Rochester) no. 1(Winter 1998)+
JonathanRosenbaum.com About This Site
Journal for Multimedia History (SUNY Albany) v. 1(1998)-3(2000) Note: This title appears to have ceased publication.
Journal of Aesthetics and Culture (Stockholm University) v.1(2009)+ "... a peer reviewed Open Access journal that aims to develop inter-disciplinary theoretical models as applied to human science research on aesthetic questions, ... "
Journal of Dracula Studies no. 1(1999)+. A scholarly, peer-reviewed journal published annually by the Transylvanian Society of Dracula (Canadian Chapter).
Journal of Film Preservation (FIAF) no. 51 (Nov 1995)+ offers a forum for both general and specialised discussion on all theoretical and technical aspects of moving image archival activities.
The Journal of Moving Image Studies v. 1(2002)-6(2007)
Journal of Religion and Film v. 1:1(1997)+ examines the description, critique, and embodiment of religion in film.
Journal of Religion and Popular Culture v. 1(Spring 2002)+ is a web-based, peer-reviewed journal committed to the academic exploration, analysis and interpretation, from a range of disciplinary perspectives, of the interrelations and interactions between religion and religious expression and popular culture, broadly defined as the products of contemporary mass culture. The journal is based in Canada, but international in scope, and open to explorations of religion and popular culture in a variety of nationalities and cultures.
Journal of the Moving Image (India) no. 4(2005)+
Jump Cut: A Review of Contemporary Media no. 1(1974)+ Begun in 1974 as a film publication, JUMP CUT now publishes material on film, television, video, new media, and related media and cultural analysis. Taking an explicit political stand as a nonsectarian left, feminist, anti-racist and anti-imperialist publication, JUMP CUT is committed to presenting and developing media criticism which recognizes: (1) media in a social and political context; (2) the political and social needs and perspectives of people struggling for liberation — workers, women, oppressed minorities, people in the developing world, gays, lesbians and queers; (3) the interrelationship of class, race, and gender oppression; (4) new theoretical and analytic perspectives.
KINEMA, a journal for film and audiovisual media (University of Waterloo) Spring 1993+ (Selected articles only in most recent issues). the semi-annual KINEMA publishes articles, critiques of film and media literature. It also reports on international film festivals, conferences and other important events. The journal's aim is to promote the discussion of history, theory and aesthetics of film and audiovisual media from an international perspective.
Kino Magazine (Bulgaria; no. 5 (2004)+. In English, Table of Contents only; translations of entire articles on demand).
Kino: the Western undergraduate journal of film studies v. 1(2010)+
Kinoeye: New perspectives on European film v. 1(2001)+
KinoKultura: new Russian cinema (Birgit Beumers, ed.) no. 0(Feb 2003)+ Scholarly refereed articles and bibliographies, reviews, production information on Russian, East European, and Central Asian cinema. KinoKultura considers for publication original manuscripts on contemporary Russian visual culture, especially cinema, as well as festival reports..
Kritikos: journal of postmodern cultural sound, text, and image Jan 2004+ is an international and interdisciplinary journal of postmodern cultural sound, text and image.
LOLA Table of contents
Mediascape - UCLA's journal of cinema and media studies Spring 2005+ aims "to create a forum which takes an interdisciplinary approach to visual cultural studies. Conceptually, we see this journal as focusing on the moving image and all its manifestations. We want to endorse a non-exclusive treatment of visual culture and will look for cross-disciplinary, cross-technological, and cross-cultural perspectives of our field to make up the content of the journal."
Millennium Film Journal Selected full text: no. 26 (Fall 1992)+ NOTE: no. 1(1977)+ (print version) available at Innis Library).
Movie: a journal of film criticism no. 1(August 2010)+ is the successor to Movie, the print journal that was edited, designed and published by the late Ian A. Cameron from 1962 to 2000.
Moving Image Source (Museum of the Moving image) Moving Image Source is a website devoted to the history of film, television, and digital media. It features original articles by leading critics, authors, and scholars; a calendar that highlights major retrospectives, festivals, and gallery exhibitions at venues around the world; and a regularly updated guide to online research resources.
NECSUS: European Journal of Media Studies is an international, peer-reviewed journal of media studies connected to NECS (European Network for Cinema and Media Studies) and published by Amsterdam University Press. The journal is multidisciplinary and strives to bring together the best work in the field of media studies across the humanities and social sciences. NECSUS focuses on cinema, television, and new media studies by publishing research either by European scholars or on European media, for a global readership. (more...)
Notebook is a daily, international film publication. Our mission is to guide film lovers searching, lost or adrift in an overwhelming sea of content. We offer text, images, sounds and video as critical maps, passways and illuminations to the worlds of contemporary and classic film. Notebook is a MUBI publication.
Offscreen (Montreal) v. 1:1 (1997)+
Order of the Exile: Concerning the Films of Jacques Rivette
Other Voices v. 1:1(1997)+ is an independent, award-winning, electronic journal of cultural criticism published at the University of Pennsylvania.
Papers of Surrealism (UK) Issue 1(winter 2003)+ Papers of Surrealism is a new web-based journal produced by the AHRB Research Centre for Studies of Surrealism and its Legacies. The journal welcomes a diversity of opinions and approaches and seeks to represent the breadth of academic disciplines engaged in the study of surrealism. It publishes original scholarly articles, translations, interviews, book and exhibition reviews as well as news and commentary. While principally serving the academic community, and subject to peer review, material published by Papers of Surrealism is intended to be accessible to interested non-specialist readers.
Participations: journal of audience and reception studies v. 1:1 (Nov 2003)+
The Permanent Seminar on Histories of Film Theories is an open network of film scholars interested in rediscovering and re-reading historical contributions and debates on film. Special attention is devoted to early writings on cinema, as well as more recent reconsiderations of film's role in the new media landscape. The Permanent Seminar is affiliated with the Film Theory in Media History book series published through the Amsterdam University Press.
Playback Archives (Sept. 1993+) Playback is Canada’s production, broadcasting & interactive media destination, offering an intimate view of industry events, trends, and innovations through a daily online newsletter, a feature-packed website, and a magazine published every two weeks.
Postmodern Culture no. 1:1(1990)+ Founded in 1990 as an experiment in scholarly publishing on the Internet, Postmodern Culture has become the leading electronic journal of interdisciplinary thought on contemporary cultures, publishing the work of such noted authors and critics as Kathy Acker, Charles Bernstein, Bruce Robbins, bell hooks, and Susan Howe. PMC combines high scholarly standards with broad appeal for non-academic readers. As an entirely web-based journal, PMC can publish still images, sound, animation, and full-motion video as well as text.
P.O.V.: a Danish journal of film studies (in English) (Aarhus University) no. 1(1996)+
Refractory: a journal of entertainment media v. 1(2002)+ is a refereed, peer-reviewed, e-journal that explores the diverging and intersecting aspects of current and past entertainment media. The journal is published by the Cinema Studies Program, School of Culture and Communication, University of Melbourne.
Research into film A valuable blog by Nick Redfern February 2009+
Reverse Shot Feb/March 2003+ is a quarterly, independently published film journal.
Rouge no. 1(2003)+ is an online film criticism and theory journal, founded in 2003, published in Australia, and featuring an international roster of contributors.
Scan: journal of media, arts, culture v. 1:1(Jan. 2004)+ Scan is a refereed on-line journal devoted to the media arts and culture, hosted by the Media Department at Macquarie University, Sydney. Its approach is inter-disciplinary, as is its subject matter. Scan draws on media studies, cultural studies, media law, information and technology studies, fine arts and philosophy. Scan considers developments in new media, digital art, screen arts, music and audio arts, as well as the culture enveloping these practices and technologies.
Scope: an online journal of film & tv studies (Institute of Film Studies, U. of Nottingham) August 1999+ Scope is a fully peer-reviewed online journal edited by staff and students in the Institute of Film & Television Studies at the University of Nottingham. The journal provides a forum for discussion of all aspects of film history, theory and criticism.
Screening the Past (La Trobe University, Australia) no. 1(1997)+
Senses of Cinema (Australia) no. 1(1999)+ is primarily concerned with ideas about particular films or bodies of work, but also with the regimes (ideological, economic and so forth) under which films are produced and viewed, and with the more abstract theoretical and philosophical issues raised by film study. More...
Spectator (Div. of Critical Studies, School of Cinematic Arts, USC) v. 1:1(Spring 1982)+
Synoptique (Concordia University, Montreal) no. 1(March 2004)+
Undercurrent, a magazine of and on film criticism, is a bimonthly publication of FIPRESCI (Fédération Internationale de la Presse Cinématographique/International Federation of Film Critics
Vertigo v.1:1(1993)+ or at Close-Up Film Centre (U.K.)
Women on Film (Alliance of Women Film Journalists) October 2006+ "We focus primarily on films by and about women, highlighting women’s achievements in front of and behind the cameras, but we also feature articles about men whose work supports women in film. And, we report industry trends as they relate to and effect women working in film and women who watch, enjoy and feel as passionately about the movies."
Widescreen: a peer-reviewed open access journal no. 1:1(2009)+ is devoted to the critical study of cinema from historical, theoretical, political, and aesthetic perspectives. With radical changes in the modes of production, distribution, and exhibition, the journal aims to combine the best of academic and journalistic critique of cinema to inform readers about the various critical vantage points from which to understand cinema in this dynamic environment.