Cinema Studies, Innis College, University of Toronto

INI 385Y: CANADIAN CINEMA
Schedule of Films and Readings 2006-07

Professor Kay Armatage, Innis College Rm 224.

Tel. 416-978-8572; Fax 416-978-5503. kay.armatage@utoronto.ca


Cinema Studies Research Guide http://www.utoronto.ca/innis/library/cinema.html
 
Mon. Sept. 11

Introduction

City of Gold. Colin Low/Roman Kroitor, Canada, 1957 (22 min)
Very Nice, Very Nice. Arthur Lipsett, 1961.
Our Marilyn. Brenda Longfellow, Canada, 1987 (27 min.)

Wed. Sept. 13 Introduction: Readings and Assignments
Mon. Sept. 18

Pioneers

Second Special Service Battalion Canadian Infantry. Edison Co. USA, 1899
Duke of York at Quebec.
Edison Co. USA, 1901
The Muscial Ride.
Edison Co. USA, 1901.
Fire Department on Runners.
Edison Co. USA, 1901.
Panoramic View of the Gorge Railway.
Edison Co. USA, 1901.
Packers on the Trail.
Edison Co. USA, 1901.
CPR Ride in the Rockies. Thomas Edison. USA, 1898-1902.
Winter Activities in Canada. Thomas Edison. USA, 1894-1912.
The Great Toronto Fire.
George Scott Co. 1904
War Canoe Races, Toronto. Edison Co. USA, 1904.
International Contest for the Heavyweight Championship.
Miles Bros. Co. USA, 1907.
Mes Esperances. Leo-Ernest Ouimet. Quebec, 1908.
An Unselfish Love: A Story of Western Canada. CPR Edison Series, 1910.
In the Land of War Canoes: Kwakiutl Indian life on the Northwest Coast
Edward S. Curtis, Canada, 1914 (47 min.; excerpt)
Clan Donald: A British Farm Colony. Dept. of Colonization & Development, Canadian Pacific Railway, 1925.

Wed. Sept. 20

Doug Fetherling (ed.), Documents in Canadian Film [DCF] (Toronto: Broadview Press, 1988), 7-22.
George Melnyk, One Hundred Years of Canadian Cinema [Melnyk] (Toronto: University of Toronto Press, 2004),15-29.
Manjunath Pedakur, "Roots of Dependency, 1906-1930," Canadian Dreams & American Control: The Political Economy of the Canadian Film Industry (Detroit: Wayne State University Press, 1990), 45-78.

Mon. Sept. 25

Shipman; Quota Quickies

Back to God's Country. Nell Shipman/ David M. Hartford, USA/Canada, 1919.
Saving the Sagas. B.E. Norrish, 1929.
Secrets of Chinatown (The Black Robe).
Fred Newmeyer, 1935.
Rhapsody in Two Languages.
Gordon Sparling, 1934.
Heritage.
J. Booth Scott, 1939.
The Settler/L'Abitis.
Bernard Devlin, 1953.

Wed. Sept. 27

Melnyk, 30-48 & 48-57.
Ted Magder, "Film, the State, and the Question of Dependency," Canada's Hollywood: The Canadian State and Feature Films (Toronto: University of Toronto Press, 1993), 3-18.

Mon. Oct. 2

National Film Board: to Show Canada to Canadians

The Peoples of Canada. Various, 1941.
Women Are Warriors. Jane Marsh, 1942.
The Mask of Nippon. Margaret Palmer, 1942.
Wings on her Shoulder.
Jane Marsh, 1943.
Main Street Canada.
Alistair Taylor, 1945.
Listen to the Prairies.
Gudrun Parker, 1945.
Mental Mechanisms: The Feeling of Rejection. Robert Anderson, 1947.

Wed. Oct. 4

Melnyk, 58-77.
John Grierson, "A Film Policy for Canada," DCF, 51-67.
Charles Acland, "National Dreams, International encounters: The Formation of Canadian Film Culture in the 1930s," Canadian Journal of Film Studies, vol. 3 no.1, 3-26.
Peter Morris, "Re-Thinking Grierson: The Ideology of John Grierson," in P. Veronneau, M. Dorland & S. Feldman eds. Dialogue: Canadian and Quebec Cinema (Montreal: Mediatexte, 1987), 21- 56.

Mon. Oct. 9

Thanksgiving: No class

Wed. Oct. 11

Discussion with Special Guest Robert Lantos, Producer (Serendipity Films)

Assigned Reading:
Benedict Anderson, "Introduction," Imagined Communities (London: Verso, 1991), 1-9.
Ian Jarvie, "National Cinema: A Theoretical Assessment," in M. Hjort & S. Mackenzie eds. Cinema & Nation (London: Routledge 2000), 75-87. Joyce Nelson, "The Curse of Nations," The Colonized Eye: Rethinking the Grierson Legend (Toronto: Between the Lines, 1988), 59-79.

Mon. Oct. 16

Corral. Colin Low, 1954.
Paul Tomkowitz: Street Railway Switchman.
Roman Kroitor, 1954.
Backbreaking Leaf.
Terence McCartney-Filgate, 1959.
Glenn Gould: On the Record.
Wolf Koenig & Roman Kroitor, 1959.
Lonely Boy.
Wolf Koenig & Roman Kroitor, 1961.
V for Victory.
Norman McLaren, 1941.
Begone Dull Care.
Norman McLaren, 1949.
Neighbours.
Norman McLaren, 1952.
A Chairy Tale.
Norman McLaren & Claude Jutra, 1957.
Pas de Deux.
Norman McLaren, 1965.
In the Labyrinth (1967).
Roman Kroitor & Colin Low, 1979.

Wed. Oct. 18 Melnyk, 70-77.
D.B. Jones, "The Canadian Film Board Unit B," New Challenges for Documentary, 133-147.
Bruce Elder, "On the Candid-Eye Movement," in S. Feldman & J. Nelson eds. Canadian Film Reader (Toronto: Peter MArin, 1977), 86-93.
Barry Keith Grant, "From Obscurity in Ottawa to Fame in Freedomland: Lonely Boy and the Cultural Meaning of Paul Anka," in J. Leach & J. Sloniowski, eds., Candid Eyes: Essays on Canadian Documentaries, (Toronto: UTP, 2003), 48-60.
Richard Hancox, "Geography and Myth in Paul Tomkowicz: coordinates of National Identity," Candid Eyes, 13-30.
Mon. Oct. 23

The Quiet Revolution & 'le direct'

Les Raquetteurs. Gilles Groulx & Michel Brault, 1958. (15 min.)
La Lutte.
Michel Brault, 1961. (28 min.)
Golden Gloves.
Michael Brault, 1961.( 28 min.)

Wed. Oct. 25

Bill Marshall, "The Cinema of Modernization," in Quebec National Cinema (Kingston: McGill-Queen's UP, 2001), 46-74.
David Clandfield, "From the Picturesque to the Familiar: Films of the French Unit of the NFB (1958-1964)," Take Two: A Tribute to Film in Canada, ed. Seth Feldman (Toronto: Irwin, 1984), 112-24.

Mon. Oct. 30

Poetic Documentary

Pour la suite du monde. Pierre Perrault, 1963.

Wed. Nov. 1

David Clandfield, "Linking Community Renewal to National Identity; The Filmmakers' Role in Pour la suite du monde," in Candid Eyes, 71-86.
David Clandfield, "Pour la suite du monde & La bête lumineuse," Pierre Perrault and the Poetic Documentary (Bloomington: Indiana UP, 2004), 13-25 & 105-114.

Mon. Nov. 6

Challenge for Change

The Things I Cannot Change. Tanya Ballantyne, 1967 (56 min.).
VTR St. Jacques & VTR Rosedale.
Rosedale Citizens Action Committee & Anton Karsh, 1974 (31min.)
You Are on Indian Land. George Stoney,
1969 (37 min.)
Fogo Island. Colin Low, 1968 (17 min.)

Wed. Nov. 8

D.B. Jones, "Challenge for Change: The Artist Nearly Abdicates," in Movies and Memoranda: An Interpretative History of the National Film Board of Canada (Ottawa: Canadian Film Institute, 1981), 157-175.
Marie Kurchak, "What Challenge? What Change?" in S. Feldman & J. Nelson eds. Canadian Film Reader (Toronto: Peter Martin, 1977), 120-127.
Colin Low, "Grierson and 'Challenge for Change,'" in The John Grierson Project, John Grierson and the NFB (Toronto: ECW Press, 1984), 111-119.

Mon. Nov. 13

Beyond the NFB

The Loon's Necklace. RadfordCrawley, 1949 (10 min).
Skidrow. Allan King, 1956 (37 min).
The Mills of the Gods: Vietnam.
Beryl Fox, CBC, 1965 (60 min).

Wed. Nov. 15

Melnyk, 91-99.
F.R. Crawley, "Have Independent Films a Look-in (1951)?" DCF, 82-88.
Gerald Pratley, "Film in Canada (1955)," DCF, 89-101.
Kevin Dowler, "The Cultural Industries Policy Apparatus," in M. Dorland ed., The Cultural Industries in Canada: Problems, Policies and Prospects (Toronto: Lorimer, 1996), 328-346.

Mon. Nov. 20

Feature Film Industry Dawns: Quebec

Mon Oncle Antoine. Claude Jutra, 1970.

Wed. Nov. 22

Claude Jutra : an unfinished story. Paule Baillargeon, 2002 (82 min.)

Melnyk, 78-90.
Michel Houle, "Some Ideological and Thematic Aspects of the Quebec Cinema," in P. Véronneau & P. Handling eds., Self-Portrait: Essays on the Canadian and Quebec Cinemas (Ottawa: Canadian Film Institute, 1980), 159-182.
Jim Leach, "Between Yesterday and Tomorrow: Mon oncle Antoine," in Claude Jutra: Filmmaker (Montreal: McGill-Queen's University Press, 1999), 121-142.
Martin Knelman, "Claude Jutra in Exile," DCF, 215-229.

Mon. Nov. 27

Feature Film Industry Dawns: English Canada

Goin' Down the Road. Donald Shebib, 1970.

Wed. Nov. 29 Melnyk, 100Can, 100-112.
Mon. Dec. 4

Re-Presenting the FLQ Crisis

Action: The October Crisis of 1970. Robin Spry, 1973. (87 min.)
Les Ordres. Michel Brault, 1974. (109 min.)

Wed. Dec. 6

Term Test
HAPPY HOLIDAYS!


 
Mon. Jan. 8

Canadian Art

The Far Shore. Joyce Wieland, 1976.
Water Sark.
Joyce Wieland, 1965.
Rat Life and Diet in North America.
Joyce Wieland, 1968.

Artist on Fire: The Work of Joyce Wieland.
Kay Armatage, 1987.

Wed. Jan. 10

Melnyk, 184-193.
Lauren Rabinovitz, "The Far Shore: Feminist Family Melodrama," in The Films of Joyce Wieland, ed. Kathryn Elder (Waterloo: Wildrid Laurier Press, 1999), 119-128.
Brenda Longfellow, "Gender, Landscape, and Colonial Allegories in The Far Shore, Loyalties, and Mouvements du désir," in Gendering the Nation: Canadian Women's Cinema, eds. K. Armatage, K. Banning, B. Longfellow & J. Marchessault (Toronto: University of Toronto Press, 1999), 165-182. Mike Zryd, "There are Many Joyces: The Critical Reception of the Films of Joyce Wieland," in The Films of Joyce Wieland, 195-212.

Mon. Jan. 15

Videodrome. David Cronenberg, 1982.
Camera.
David Cronenberg, 2001 (6 min.)

Wed. Jan. 17

Melnyk, 146-157.
William Beard, "Thirty-Two Paragraphs about David Cronenberg," in North of Everything: English-Canadian Cinema Since 1980, eds. W. Beard & J. White (Edmonton: University of Alberta Press, 2002),, 144-159.
Wayne Rothschild, "The Cronenberg Effect," in North of Everything, 160-165.

Canadian Content rules

Mon. Jan. 22

The Grey Fox. Phillip Borsos, 1982.

Wed. Jan. 24

Melnyk, 100Can, 113-124.
Blaine Allan, "Directed by Phillip Borsos," in North of Everything, 106-121.
Bruce Elder, "The Cinema we Need (1985)," DCF, 260-271.
Bart Testa, "So, What Did Elder Day?" DCF, 272-283.

Al Razutis, "Manifesto: Cinema Art - Brief to the Canada Council," 1980.
Al Razutis, "Let's set the record straight, INDEED!" On the 1989 Experimental Film Congress (Toronto, Canada).

Mon. Jan. 29

Jésus de Montréal. Denys Arcand, 1989.

Wed. Jan. 31

Melnyk, 125-145.
Susan Hayward, "Framing National Cinemas," in Cinema & Nation, 88-102.
Mary Alemany-Galway, "Jesus of Montreal," A Postmodern Cinema: The Voice of the Other in Canadian Film (London: Screcrow Press, 2002), 119-140.

Scott MacKenzie, "National Identity, Canadian Cinema, and Multiculturalism," Canadian Aesthetics Journal vol. 4, summer 1999.

Mon. Feb. 5

Family Viewing. Atom Egoyan, 1986.
Montréal vue par....
Atom Egoyan et al, 1991.

Formulas for Seduction: The Cinema of Atom Egoyan.
Aileen Anipare & Jason Wood, 1999 (52 min.)

Wed. Feb. 7

Melnyk, 157-166.
Monique Tschofen, "Repetition, Compulsion and Representation in Atom Egoyan's Films," in North of Everything, 166-183.

Mon. Feb. 12

Queer Nation

I've Heard the Mermaids Singing. Patricia Rozema, 1988.

Recommended:
Zero Patience,
John Greyson, 1993.
Highway 61. Bruce McDonald, 1991.
Last Night. Don McKellar, 1998.

Wed. Feb. 14

Melnyk, 211-223.
James Allan, "Imagining an intercultural nation: a moment in Canadian queer cinema", In a Queer Country, ed. Terry Goldie (Vancouver: Arsenal Press, 2001), 138-159.
Lee Parpart, "Political Alignments and the Lure of 'More Existential Questions' in the Films of Patricia Rozema," in North of Everything, 294-311.
Mary Alemany-Galway, "I've Heard the Mermaids Singing," A Postmodern Cinema, 141-164.

Mon. Feb. 19 Reading Week: No Class
Wed. Feb. 21 Reading Week: No Class
Mon. Feb. 26

Multiculturalism and its Discontents

Double Happiness. Mina Shum, 1994.

Recommended:
Masala.
Srinivas Krishna, 1991.
Sam and Me
. Deepa Mehta, 1990.
Rude
. Clement Virgo, 1995.
Bollywood/Hollywood
. Deepa Mehta, 2002.

Wed. Feb. 28

Lysandra Woods, "Srinivas Krishna and the New Canadian Cinema," in North of Everything, 206-215.
Kass Banning, "Playing in the Light: Canadianizing Race and Nation," in Gendering the Nation, 291-310.
Kass Banning, "Conjugating Three Moments in Black Canadian Cinema," in North of Everything, 84-99.

Mon. Mar. 5

Whose Nation?

Kanehsatake: 270 Years of Resistance. Alanis Obomsawin, 1993 (119 min.).

Recommmended:
Richard Cardinal: Cry from the Diary of a Metis Child.
Alanis Obomsawin, 1986 (29 min.).
From Another Time Comes One. Zachary Longboy, 1990 (12 min.).
Women in the Shadows. Norma Bailey & Christine Welsh, 1992 (56 min.).
It Starts with a Whisper. Shelley Niro, 1993.

Wed. Mar. 7

Melnyk, 167-183.
Jerry White, "Alanis Obomsawin, Documentary Form and the Canadian Nation(s)," in North of Everything, 364-375.
Faye Ginsburg, "Mediating Culture: Indigenous Media, Ethnographic Film, and the Production of Identity," Fields of Vision: Essays in Film Studies, Visual Anthropology and Photography, eds. L. Devereaux & R. Hillman (Berkeley: University of California Press, 1996),

Recommended: Dana Claxton, Melanie Townsend, & Steven Loft (eds.), Transference, Tradition, Technology: native new media exploring visual & digital culture (Banff: Walter Phillips Gallery Editions, 2006).

Mon. Mar. 12

And Where Are We Now?

Careful. Guy Maddin, 1992 (100 min.)
The Heart of the World. Guy Maddin, 2000 (6 min.)
Sombra Dolorosa. Guy Maddin, 2004 (4 min.)

Recommended:
The Saddest Music in the World. Guy Maddin, 2003 (99 min.)

Wed. Mar. 14

Melnyk, 193-200.
Steven Shaviro, "Fire and Ice: The Films of Guy Maddin," in North of Everything, 216-221.

Mon. Mar. 19

Back in Canada (?)

Thirty-Two Short Films about Glenn Gould. Francois Girard, 1992 (98 min.)

Recommended:
The Red Violin. Francois Girard, 1998 (131 min.)
Silk. Francois Girard, 2007.

Wed. Mar. 21

Melnyk,
Brian McIlroy, "The Tuxedoed Fallacy: Intratextual Audiences in Two Films by Francois Girard," in North of Everything, 184-191.

Mon. Mar. 26

Emporte-Moi. Lea Pool, Switzerland/France/Canada, 1999.
Montréal vue par....
Lea Pool et al, 1991.

Wed. Mar. 28 Melnyk, 201-210 & 224-244.
Mon. Apr. 2

Canada's Popular

Love, Sex and Eating the Bones. David Sutherland, 2003 (100 min.) Cannibal Girls. Ivan Reitman, 1973 (excerpt).

Recommended:
Porky's. Bob Clark, 1982.
Les Boys. Luis Saia, 1997.
Cube. Vincenzo Natali, 1997.
Foolproof. William Phillips, 2003.

Wed. Apr. 4 Melnyk, 245-257 & 258-272.
Charles Acland, "Screen Space, Screen Time, and Canadian Film Exhibition," in North of Everything, 2-18.
Joe Medjuck, "The Makers of Cannibal Girls," DCF, 177-203.
Mon. Apr. 9 C.R.A.Z.Y., Jean-Marc Vallée, 2005 (127 min.)
Wed. Apr. 11 Term Test

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