Cinema Studies Research Guide http://www.utoronto.ca/innis/library/cinema.html
| Mon. Sept. 11 | Introduction City of Gold.
Colin Low/Roman Kroitor, Canada, 1957 (22 min) |
|---|---|
| Wed. Sept. 13 | Introduction: Readings and Assignments |
| Mon. Sept. 18 | Pioneers Second Special Service Battalion
Canadian Infantry. Edison Co. USA, 1899 |
| Wed. Sept. 20 | Doug
Fetherling (ed.), Documents in Canadian Film [DCF] (Toronto:
Broadview Press, 1988), 7-22. |
| Mon. Sept. 25 | Shipman; Quota Quickies Back to God's Country.
Nell Shipman/ David M. Hartford, USA/Canada, 1919. |
| Wed. Sept. 27 |
Melnyk, 30-48 & 48-57. |
| Mon. Oct. 2 | National Film Board: to Show Canada to Canadians The Peoples of Canada.
Various, 1941. |
| Wed. Oct. 4 | Melnyk,
58-77. |
| Mon. Oct. 9 | Thanksgiving: No class |
| Wed. Oct. 11 | Discussion with Special Guest Robert Lantos, Producer (Serendipity Films) Assigned Reading: |
| Mon. Oct. 16 | Corral.
Colin Low, 1954. |
| Wed. Oct. 18 | Melnyk,
70-77. D.B. Jones, "The Canadian Film Board Unit B," New Challenges for Documentary, 133-147. Bruce Elder, "On the Candid-Eye Movement," in S. Feldman & J. Nelson eds. Canadian Film Reader (Toronto: Peter MArin, 1977), 86-93. Barry Keith Grant, "From Obscurity in Ottawa to Fame in Freedomland: Lonely Boy and the Cultural Meaning of Paul Anka," in J. Leach & J. Sloniowski, eds., Candid Eyes: Essays on Canadian Documentaries, (Toronto: UTP, 2003), 48-60. Richard Hancox, "Geography and Myth in Paul Tomkowicz: coordinates of National Identity," Candid Eyes, 13-30. |
| Mon. Oct. 23 | The Quiet Revolution & 'le direct' Les Raquetteurs. Gilles
Groulx & Michel Brault, 1958. (15 min.) |
| Wed. Oct. 25 | Bill
Marshall, "The Cinema of Modernization," in Quebec National
Cinema (Kingston: McGill-Queen's UP, 2001), 46-74. |
| Mon. Oct. 30 | Poetic Documentary Pour la suite du monde. Pierre Perrault, 1963. |
| Wed. Nov. 1 | David
Clandfield, "Linking Community Renewal to National Identity; The
Filmmakers' Role in Pour la suite du monde," in Candid
Eyes, 71-86. |
| Mon. Nov. 6 | Challenge for Change The Things I Cannot Change.
Tanya Ballantyne, 1967 (56 min.). |
| Wed. Nov. 8 | D.B.
Jones, "Challenge for Change: The Artist Nearly Abdicates,"
in Movies and Memoranda: An Interpretative History of the National
Film Board of Canada (Ottawa: Canadian Film Institute, 1981), 157-175. |
| Mon. Nov. 13 | Beyond the NFB The Loon's Necklace. RadfordCrawley,
1949 (10 min). |
| Wed. Nov. 15 | Melnyk,
91-99. |
| Mon. Nov. 20 | Feature Film Industry Dawns: Quebec Mon Oncle Antoine. Claude Jutra, 1970. |
| Wed. Nov. 22 | Claude Jutra : an unfinished story. Paule Baillargeon, 2002 (82 min.) Melnyk, 78-90. |
| Mon. Nov. 27 | Feature Film Industry Dawns: English Canada Goin' Down the Road. Donald Shebib, 1970. |
| Wed. Nov. 29 | Melnyk,
100Can, 100-112. |
| Mon. Dec. 4 | Re-Presenting the FLQ Crisis Action: The October Crisis
of 1970. Robin Spry, 1973. (87 min.) |
| Wed. Dec. 6 | Term
Test |
| Mon. Jan. 8 | Canadian Art The Far Shore. Joyce
Wieland, 1976. |
|---|---|
| Wed. Jan. 10 |
Melnyk, 184-193. |
| Mon. Jan. 15 | Videodrome.
David Cronenberg, 1982. |
| Wed. Jan. 17 | Melnyk,
146-157. |
| Mon. Jan. 22 | The Grey Fox. Phillip Borsos, 1982. |
| Wed. Jan. 24 | Melnyk,
100Can, 113-124. Al
Razutis, "Manifesto: Cinema Art - Brief to the Canada Council,"
1980. |
| Mon. Jan. 29 | Jésus de Montréal. Denys Arcand, 1989. |
| Wed. Jan. 31 | Melnyk,
125-145. |
| Mon. Feb. 5 | Family
Viewing. Atom Egoyan, 1986. |
| Wed. Feb. 7 | Melnyk,
157-166. |
| Mon. Feb. 12 | Queer Nation I've Heard the Mermaids Singing. Patricia Rozema, 1988. Recommended: |
| Wed. Feb. 14 | Melnyk,
211-223. |
| Mon. Feb. 19 | Reading Week: No Class |
| Wed. Feb. 21 | Reading Week: No Class |
| Mon. Feb. 26 | Multiculturalism and its Discontents Double Happiness. Mina Shum, 1994. Recommended: |
| Wed. Feb. 28 | Lysandra
Woods, "Srinivas Krishna and the New Canadian Cinema," in North
of Everything, 206-215. |
| Mon. Mar. 5 | Whose Nation? Kanehsatake: 270 Years of Resistance. Alanis Obomsawin, 1993 (119 min.). Recommmended: |
| Wed. Mar. 7 | Melnyk,
167-183. Recommended: Dana Claxton, Melanie Townsend, & Steven Loft (eds.), Transference, Tradition, Technology: native new media exploring visual & digital culture (Banff: Walter Phillips Gallery Editions, 2006). |
| Mon. Mar. 12 | And Where Are We Now? Careful. Guy Maddin,
1992 (100 min.) Recommended: |
| Wed. Mar. 14 | Melnyk,
193-200. |
| Mon. Mar. 19 | Back in Canada (?) Thirty-Two Short Films about Glenn Gould. Francois Girard, 1992 (98 min.) Recommended: |
| Wed. Mar. 21 | Melnyk,
|
| Mon. Mar. 26 | Emporte-Moi.
Lea Pool, Switzerland/France/Canada, 1999. |
| Wed. Mar. 28 | Melnyk,
201-210 & 224-244. |
| Mon. Apr. 2 | Canada's Popular Love, Sex and Eating the Bones. David Sutherland, 2003 (100 min.) Cannibal Girls. Ivan Reitman, 1973 (excerpt). Recommended: |
| Wed. Apr. 4 | Melnyk,
245-257 & 258-272. Charles Acland, "Screen Space, Screen Time, and Canadian Film Exhibition," in North of Everything, 2-18. Joe Medjuck, "The Makers of Cannibal Girls," DCF, 177-203. |
| Mon. Apr. 9 | C.R.A.Z.Y., Jean-Marc Vallée, 2005 (127 min.) |
| Wed. Apr. 11 | Term Test |